BUCHAREST INTERNATIONAL DANCE FILM FESTIVAL, THE 8TH EDITION
SEPT 8–11, 2022
BUCHAREST INTERNATIONAL DANCE FILM FESTIVAL, THE 8TH EDITION
SEPT 8–11, 2022
The jury formed from Omari Motion Carter (UK), Katia Pascariu (RO) and Monica Stan (RO) decided to award with Best Film from the International Competition a film production that is playful, daring, exploring, improvisational and courageously touches on the theme of gender identity and body image. ISN’T IT A BEAUTIFUL WORLD (D: Joseph Wilson) is contemporary and relatable, making the invisible visible, a beautiful representation of a queer mind. The jury also decided to award a Special Mention in the International Competition, to an uncomfortable short film that has depth in its simplicity. TRUMPETS IN THE SKY (D: Rakan Mayasi) confronts us with things we don’t see and leaves us questioning whether there is darkness in joy.
In the National Competition, the Best Film Award went to a film that impressed the jury by being conversational and intimate. DANCEN (D: Corina Andrian) managed to create a symbiosis between body and space, while the clarity of the performers immersed the jury in a beautiful journey. The film is an example of the great power that lays in motion and small gestures. A Special Mention was awarded here as well, to a film that uses arts and archive materials to serve a message. I HAD BEEN SLEEPWALKING WHEN I SAW ALL THOSE COLORS (D: Bogdan Balla) opens a discussion about a history that is not totally resolved, and has an intimate and personal quality within, which mixes personal and collective history.
AND TICKET DETAILS
AND TICKET DETAILS
11:00 | BIDFF Community | Dance on Film for the Fourth Age | 📍The Residential Center Amalia and Chief Rabbi Dr. Moses Rosen
18:00 | BIDFF Immersive | BIDFF VR '22: Opening Night | 📍/SAC @ MALMAISON
18:30 | BIDFF Films | Joyland, by Saim Sadiq 126' | 📍Cinéma Elvire Popesco |
21:00 | BIDFF Shorts | Threshold Zones — International Competition I 63' | 📍Grădina cu Filme — Cinema & More |
10:00 | BIDFF Expand | Screendance Lab with Omari ‘Motion’ Carter | 📍The National Center of Dance Bucharest |
11:00 | BIDFF Community | Dance on Film for the Fourth Age | 📍The Residential Center Amalia and Chief Rabbi Dr. Moses Rosen
14:00 | BIDFF Immersive | BIDFF VR '22 Showcase | 📍/SAC @ MALMAISON |
15:00 | BIDFF Expand | Challenging the Genres, Producing a Dance Film — Case Study with Simona Deaconescu and Anda Ionescu | 📍The National Center of Dance Bucharest |
17:00 | BIDFF Community | Guided Tour through the Cinematic Obor with Adrian Ionescu | 📍Obor District |
18:30 | BIDFF Shorts | Danger Zones — International Competition II 77' | 📍Cinéma Elvire Popesco |
19:30 | BIDFF Films | Moonage Daydream, by Brett Morgen 140' | 📍CINEMAX Veranda — ULTRA-X Hall |
21:00 | BIDFF Shorts | Hypothetical Zones — Romanian Competition 67' | 📍Fabrica Grivița |
10:00 | BIDFF Expand | Screendance Lab with Omari ‘Motion’ Carter | 📍The National Center of Dance Bucharest |
12:00 | BIDFF Community | Guided Tour through the Cinematic Obor with Adrian Ionescu | 📍Obor District |
14:00 | BIDFF Immersive | BIDFF VR '22 Showcase | 📍/SAC @ MALMAISON |
15:00 | BIDFF Expand | Choreomania: Scenes of Ecstasy and Revolt — Lecture Kélina Gotman | 📍The National Center of Dance Bucharest |
18:30 | BIDFF Shorts | Ectopic Zones — International Competition III 66' | 📍Peasant Museum Cinema |
20:30 | BIDFF Shorts | Hip Zones — International Competition IV 61' | 📍Cinéma Elvire Popesco |
10:00 | BIDFF Expand | Screendance Lab with Omari ‘Motion’ Carter | 📍The National Center of Dance Bucharest |
12:00 | BIDFF Community | Guided Tour through the Cinematic Obor with Adrian Ionescu | 📍Obor District |
14:00 | BIDFF Immersive | BIDFF VR '22 Showcase | 📍/SAC @ MALMAISON |
15:00 | BIDFF Expand | Dance of Urgency — Lecture Bogomir Doringer | 📍The National Center of Dance Bucharest |
18:30 | BIDFF Films | Neptune Frost, by Saul Williams and Anisia Uzeyman 105' | 📍Peasant Museum Cinema |
20:00 | BIDFF Films | Rookies, by Thierry Demaizière and Alban Teurlai 114' | 📍Cinéma Elvire Popesco |
21:00 | BIDFF Shorts | BIDFF 2022 Awards Gala | 📍Grădina cu Filme — Cinema & More |
SEPT 8, 9 🕣 FROM 11:00 📍AT THE RESIDENTIAL CENTER AMALIA AND CHIEF RABBI DR. MOSES ROSEN
The Age4 Community Art Centre (2009-present) is a socio-artistic project created within the Moses Rosen Residential Centre for the Elderly. Following the experience of working together for 18 months, the residents of the home together with a team of artists and performers launched, on May 30, 2011, the "Age4 Community Art Centre". Together they created several dance and community theatre performances, based on the personal stories of the home residents, while advocating against ageism.
The Age4 Community Arts Centre is a space dedicated to promoting community art with institutionalised people through socio-performative practices.
SEPT 8 - 11 📍AT /SAC @ MALMAISON
The BIDFF VR '22 selection questions the safe world we live in and presents us with the fragile reality in unstable areas of the planet. The exhibition takes visitors on an introspective journey through the aftermath of the Fukushima nuclear disaster, then time-transitions through the transformations of a city in Indonesia, and promises an incursion through microscopic parallel realities and the conflicting emotions of unrealized love stories.
The interactive experiences of this edition transform the viewer into an active participant and help them discover the spectrum of human nature in the 21st century. You will use body, voice, and sense of touch to understand what it means to rediscover a forgotten language, manipulate mundane objects, or a fantasy world floating in the clouds.
DRAMA, 126', 2022, PAKISTAN
THURSDAY, SEPT 8 🕣 FROM 18:30 📍 AT CINÉMA ELVIRE POPESCO
As the happily patriarchal Rana family craves for the birth of a baby boy, the youngest of the Rana men secretly joins an erotic dance theatre and finds himself falling for a fiercely ambitious trans starlet. Their impossible love story slowly illuminates the entire Rana family's desire for a sexual rebellion.
The film won the Queer Palm and the Un Certain Regard Jury Prize at the 2022 Cannes Films Festival.
THURSDAY, SEPT 8 🕣 FROM 21:00 📍 AT GRĂDINA CU FILME — CINEMA & MORE
The first international film section of the 8th edition of BIDFF focuses on the idea of border – geopolitical, emotional, aesthetic, and transpersonal. Placing themselves on the fine line between "familiar" and "foreign," directors and choreographers from seven countries explore fluid, transformative identities. Threshold Zones is an affective cinematic journey, guided by bodies of astonishing diversity, running out of sync. This section contains animations, poetic documentaries, and performative experiments that can open a portal to a new way of glimpsing at the future.
Line-up: Tehura, Isn’t It a Beautiful World, SHE, Passage, and La Nostra Terra.
SEPT 9 — 11 🕣 FROM 10:00 TO 14:00 📍AT THE NATIONAL CENTER OF DANCE BUCHAREST
One of the most prolific dance filmmakers in Canada, with 30 years of experience in the field, Marlene Millar will attend BIDFF to teach an intensive workshop and contribute to the professional development of the local creative industry.
Within this workshop, participants will gain an insight into the production process of The Motion Dance Collective and explore exercises that look to develop a practice that bridges the gap between moving body and moving image. From mediation to idea, we will look at the choreography in front of the camera, the choreography of the camera, and the choreography developed in the edit, as participants aim to develop short digital-dance experiments throughout the three days. Together we will gain practical experience with tools that inject an essence of hybridity into our own on-going practices.
FRIDAY, SEPT 9 🕣 FROM 15:00 📍 AT THE NATIONAL CENTER OF DANCE BUCHAREST
The dance film was born from the need to explore the body through cinematography. But from the first dance films to the present day, such production has remained in a poorly financed niche area.
The script of a dance film is a hybrid product, combining specific elements of a cinematographic production with features related to structuring a performative work, often called scores. Usually, the dialogue occurs between movements, atmospheres, and dynamics, opening the way to explore worlds where the concrete is replaced by the abstract, the strange, or the sensory. From the constant rewriting of a script, as a result of a creative laboratory always in transformation, to the creation of a storyboard, to finding the most compatible collaborators, a dance film production is atypical for both performing arts and the film industry.
Given this reality, making a dance film is a long, challenging process for both the artists and the production teams developing it.
FRIDAY, SEPT 9 🕣 FROM 17:00 + SATURDAY, SEPT 10, AND SUNDAY, SEPT 11 🕣 FROM 12:00📍 IN DIFFERENT LOCATIONS OF THE OBOR DISTRICT
We propose a guided tour of the Obor district, an old neighbourhood with a rich cultural history where. We will discuss, among other things, Veranda Mall, where a 12-screen cinema operated by Cinemax was inaugurated in 2019, Europa Cinema and the former Aurora Cinema, as well as the evolution of these locations in relation to the space as a whole.
We also propose a dialogue about fragments of landscape captured in Romanian films from various periods, which we will encounter during the tour. Stuff and Dough (Cristi Puiu, 2001), Sieranevada (Cristi Puiu, 2016), Bad Luck Banging or Loony Porn (Radu Jude, 2021), are some of the films we will talk about, each of them taking note, at some level, of the changes that have occurred in society and people's inability to adapt.
FRIDAY, SEPT 9 🕣 FROM 18:30 📍 AT CINÉMA ELVIRE POPESCO
A boy passionate about dance from Chad doesn't want to stop smiling not even when his village is destroyed by war. A girl in Lebanon becomes a woman overnight because of poverty and personal sacrifice. A dancer from Poland loses connection with her body after a traumatic abuse. For young people in Lithuania and Chile, the sense of belonging gives rise to consequential identity crises. In the second competitive section of BIDFF, five film productions launch a complex dialogue about the contexts that put our lives at risk. Danger Zones is about those physical or emotional scars that cannot heal in a generation.
Line-up: Amani, Quiver, Trumpets in the Sky, Techno, Mama, and TARJETA ROJA.
DOCUMENTARY, 140', 2022, GERMANY/USA
FRIDAY, SEPT 9 🕣 FROM 19:30 📍 AT CINEMAX VERANDA — ULTRA-X HALL
From Oscar-nominated filmmaker Brett Morgen, director of Cobain: Montage of Heck, and featuring never-before-seen concert footage, Moonage Daydream is an immersive cinematic experience; an audio-visual space odyssey that not only illuminates the enigmatic legacy of David Bowie but also serves as a guide to living a fulfilling and meaningful life in the 21st Century.
Moonage Daydream is not a documentary. It is a genre-defying cinematic experience based on one of the most iconic and global rock stars of all time, destined to be one of the defining cultural moments of the year.
The film has the full support of Bowie's estate and features many of his greatest tracks, as well as previously unseen concert footage.
FRIDAY, SEPT 9 🕣 FROM 21:00 📍 AT FABRICA GRIVIȚA
The Romanian Short Film Competition includes five cinematographic productions created by directors and choreographers with diverse experiences and interests. The artists presented by the festival look at the body as a reactionary force. Thus, the body becomes the mirror of hidden, silent realities that struggle to surface and make themselves heard. How can the body restore a necessary balance in a society strewn with hypothetical and (un)safe zones? – is one of the questions on which the 8th edition of BIDFF invites us to reflect.
Line-up: Dancen, I Had Been Sleepwalking When I Saw All Those Colors, You Who Never Arrived, Pietà, and It’s a Clown’s Life.
SATURDAY, SEPT 10 🕣 FROM 15:00 📍 AT THE NATIONAL CENTER OF DANCE BUCHAREST
A crowd; a fête; a monk; a king deposed; a woman in pain, alone, then gathered and soothed with music and friends. These are scenes of “choreomania”: neither an epidemic disease nor a bizarre phenomenon, but clusterings of intensity, what I have also called choreozones. For thousands of years, women and men have released tension and strain, anger and joy in moments of convivial play, or achieved states of ecstasy in order to find other orders of truth and of justice. And yet, read through the lenses of quizzical bystanders, these scenes often appear frightening, inexplicable, and mad – they are pathologized, sometimes ridiculed or criminalized. In this talk, I will offer a set of fragments, scenes and critical reflections, to try to think how the notion of a “dancing disease” tallies up with the disparate moments of common life that have come to be described in epidemiological and “contagious” terms. My aim will be to articulate a critical lexicon and a language with which to find the interstitial zones of safety, security and care that nurture at once sublime feelings of ecstatic surrender and energetic agglutinations, assemblies and collections of force necessary for survival.
SATURDAY, SEPT 10 🕣 FROM 18:30 📍 AT PEASANT MUSEUM CINEMA
BIDFF's third competitive section finds the body in challenging places and positions anchored in a counterintuitive movement to the space it occupies. The protagonists of these film productions bump into social taboos in the Netherlands, occupy abandoned theaters in Panama, or refuse to be forced to leave their homes in the UK. In Ectopic Zones, the world is seen as a juxtaposition of form, light, color, and movement, constantly generating captivating dissociations of meaning.
Line-up: The Wall, Fist, Variedades, Hanging On, ag:au, and Abyss.
SATURDAY, SEPT 10 🕣 FROM 20:30 📍 AT CINÉMA ELVIRE POPESCO
The last screening of short films invites audiences into a sensory universe that melts bodily boundaries. Hip Zones intertwines reality with fiction and dissolves the body in the lava of its fears, desires, and thoughts. The five short films presented at Cinema Elvire Popesco explore the body's memory by reimagining new forms of movement, synesthetic experiences, and necessary recontextualizations. Together they form a sponge-body, an organism powerfully touched by time, where the past experiments become the hip zones of today.
Line-up: Shells, Neon Phantom, Sauna, Nicholas Brothers: Stormy Weather, and SOAP.
SUNDAY, SEPT 11 🕣 FROM 15:00 📍 AT THE NATIONAL CENTER OF DANCE BUCHAREST
I will be speaking about how the project I Dance Alone observes dance floors from a bird's eye view or what used to be called the divine perspective. Crowds are analyzed as microscopic samples.
Zooming in to dancing gestures and anonymous dancing bodies has provided extensive knowledge and insight into club culture and its transformation in times of socio-political changes. As if dancing crowds are like clouds announcing changing weather conditions or sensing may be times of shifts and urgencies that are about to come.
In my work, I travel between looking at dancing crowds, a form of political protest, to tracing empowering powers that dance holds for everyone who dares to move. The curation of symposiums and exhibitions became an active methodology in my work. It awarded me with the term "dance of urgency", a dance that rises in times of personal and collective crises, and such a dance aims to empower individuals and groups. My presentation will be supported by various video archived material and visual examples. The most important part of dance and fascination with it is not knowing but moving within or towards it.
DRAMA, SF, MUSIC, 105', 2021, FRANCE/RWANDA/USA
SUNDAY, SEPT 11 🕣 FROM 18:30 📍 AT PEASANT MUSEUM CINEMA
Multi-hyphenate, multidisciplinary artist Saul Williams brings his unique dynamism to this Afrofuturist vision, a sci-fi punk musical that’s a visually wondrous amalgamation of themes, ideas, and songs that Williams has explored in his work, notably his 2016 album MartyrLoserKing. Co-directed with the Rwandan-born artist and cinematographer Anisia Uzeyman, the film takes place in the hilltops of Burundi, where a group of escaped coltan miners form an anti-colonialist computer hacker collective. From their camp in an otherworldly e-waste dump, they attempt a takeover of the authoritarian regime exploiting the region's natural resources – and its people. When an intersex runaway and an escaped coltan miner find each other through cosmic forces, their connection sparks glitches within the greater divine circuitry. Set between states of being – past and present, dream and waking life, colonized and free, male and female, memory and prescience – Neptune Frost is an invigorating and empowering direct download to the cerebral cortex and a call to reclaim technology for progressive political ends.
DOCUMENTARY, 114', 2022, FRANCE
SUNDAY, SEPT 11 🕣 FROM 20:00 📍 AT CINÉMA ELVIRE POPESCO
In the heart of Paris, a prestigious high school takes an audacious bet: integrate students from working-class districts and make them break the circle of school failure through dance and hip hop. Rookies tells their story.
Rookies premiered earlier this year at the Berlin Film Festival, where it was screened in the Generation section.
SUNDAY, SEPT 11 🕣 FROM 21:00 📍 AT GRĂDINA CU FILME — CINEMA & MORE
At the end of the four days of festival, BIDFF invites you to one last event for its eighth edition — the BIDFF 2022 Awards Gala, followed by the screening of the winning short films from both the International and National Competitions. The event will be presented by the festival's artistic director Simona Deaconescu, and will feature as specials guests some of the members of this year's jury. Audiences will thus have the opportunity to (re)watch some of the best film productions presented in the festival, under the starry sky, at Grădina cu Filme — Cinema & More.
AND THE FESTIVAL TEAM
AND THE FESTIVAL TEAM
The jury will watch the films included in this year’s competitions and will award prizes for Best Film (1.000 euros), to a film chosen from the International Competition, and Best Romanian Film (500 euros), to a film chosen from the National Competition.
Omari 'Motion' Carter is a screendance practitioner, hip-hop culture aficionado and body percussionist based in London, UK. A first-class BA (Hons) degree in Performing Arts at London Metropolitan University led Omari to perform for seven years in the West End and international touring productions of Stomp!. During this time, Omari choreographed, directed, performed, and produced a varied reel of dance-film with screendance production company, The Motion Dance Collective, which he founded in 2011. Omari is a graduate of the trailblazing Master's degree in Screendance at London Contemporary Dance School, where he currently works as a lecturer in dance. Most recently, Omari has created immersive-digital dance for Pavilion Dance South West (Bournemouth, UK), features twice in Vol. 12 of The International Journal of Screendance, and was a speaker and workshop leader at STATE OF THE ART: International Symposium on Screendance at UW-Madison (USA).
Katia Pascariu (b.1983, Bucharest) is an actress, performer and cultural activist. She works on the local and international scene, mainly in theatre and performance, but also in film, collaborating with multi-disciplinary teams. She has been making social and political theatre for 10 years, participating - together with her colleagues from the Replika, Macaz Coop. and Vârsta4 collectives - in the development of community-educational artistic programmes. She has been running artistic workshops with and for teenagers and high school students for over 10 years. She is also part of the artistic collective of the Jewish State Theatre in Bucharest.
With a background in psychology, Monica has been working as a screenwriter for many years. Her filmography includes the features Marussia (Berlinale Generation 2013) and Coureur (IFF Rotterdam 2019) as well as several shorts. Her debut as a director Imaculat (co-directed with George Chiper-Lillemark) has been awarded in Venice International Film Festival 2021 with the ‘Luigi De Laurentiis’ Lion of the Future Award for best debut film, the ‘Giornate degli Autori Director’s Award’ and the best screenplay award for female authors under the age of 40.
Co-Founder & Artistic Director Simona DEACONESCU | Co-Founder & Festival Director Anamaria ANTOCI | Head of Programming & International Relations Laurențiu PARASCHIV | Executive Director Ana VOICU | Programmers & Side Events Coordinators Cristian PASCARIU Simona DABIJA | Project Assistant Maria Luiza DIMULESCU | PR Department Carmen MACAVEI / CONNECT MEDIA | Visual Identity Ioana TRUȘCĂ | Translation Ligia SOARE Iulia SÂRBOIU Laurențiu BRĂTAN | Subtitles Andrei HARABAGIU | Traffic Coordinator Ramona CHISTRUGĂ | Trailer Alex PINTICĂ | Making-of Alberto NICULAE Alex PINTICĂ | Photographers Ionuț RUSU Sorin FLOREA Mihnea CIULEI Claudiu POPESCU | Technical Department Sorin SAFTA Marius Cătălin HODEA Valentin | Accountant & Fiscal Adviser Florina BAICU | Financial Coordinator Monica ISTRATE | Volunteers Alexandra-Maria MICU Mustafa TEKE Anamaria TĂNASE Andreea IONIȚĂ Maya Ivona PEIU Camelia HUȘTEA Tamara GĂGEATU Andreea DUMITRESCU Dragoș MĂRGINEANU Andra-Ștefania FOCA Smaranda MOISESCU Anne-Marie NICOLAE Ana Zorzonel
CO-FOUNDERS, SPONSORS, PARTNERS
CO-FOUNDERS, SPONSORS, PARTNERS
Bucharest International Dance Film Festival is organized by the Tangaj Collective Association.
“Bucharest International Dance Film Festival, the 8th edition” is a cultural project co-financed by the Administration of the National Cultural Fund. The project does not necessarily represent the position of the Administration of the National Cultural Fund. AFCN is not responsible for the content of the project or how the project results can be used. These are entirely the responsibility of the beneficiary of the funding.
“Bucharest International Dance Film Festival, the 8th edition” is a project co-financed by the Bucharest City Hall through ARCUB within the Bucharest – Affective City 2022 programme. The content of this material does not necessarily represent the official position of the Bucharest City Hall or that of ARCUB.
The festival is supported by Conceptual Lab by Theo Nissim.
The partners and hosts of the festival are the French Institute (Cinema Elvire Popesco), the Peasant Museum Cinema, CINEMAX Veranda, Grădina cu filme - Cinema & More, /SAC @ MALMAISON, the National Center for Dance Bucharest, Fabrica Grivița, Centrul Rezidențial pentru persoane vârstnice „Amalia și Șef Rabin Dr. Moses Rosen", ADO - Asociația Artă pentru Drepturile Omului.
Watched by Radio Guerrilla.
Media partners: All About Romanian Cinema, Bookhub, Cinefilia, Cinemap, Ediția de dimineață, E-Zeppelin, FILM NEW EUROPE, Films in Frame, IQAds, Modernism.ro, MovieNews, Munteanu, Observator cultural, PlayU.ro, Spotmedia, The Institute, Ziarul Metropolis, Zile și Nopți.
2015, when choreographer Simona Deaconescu and film producer Anamaria Antoci gathered resources to develop the only festival in Romania dedicated to dance films.
BIDFF was founded out of love for the dance film genre, with the scope of promoting artists that work across genres and presenting cinematographic works in which the language of the body explores strong narratives. Each year, the festival has a different theme that reflects upon the contemporary realities and questions the future of the body.
The programme of the festival consists of film screenings, visual art exhibitions and installations, performances, concerts, lectures, workshops and masterclasses. BIDFF takes place in the most popular sites in Bucharest, combining art house cinemas, open-air screenings (rooftop or urban gardens), performance venues, galleries and museums. Influential artists join the festival as guests and mentors, while a wide range of scholars, film producers and distributors, both local and international, connect through the BIDFF network of activities.
We aim to connect professionals from arts, through a manifestation in which hybridisation becomes an essential base for innovation. Choreographers as Chris Haring (AT), Sharon Fridman (ES), Florin Fieroiu (RO), meet directors Tomer Heymann (IS), Peter Schneider (USA), meet specialist as Guy Cools (BE), Helena Jonsdottir (IL), Claudia Kappenberg (UK), Andy Wood (UK), meet film producers Ada Solomon (RO), Gullin Ustun (TK), meet visual artists Claudia Hart (USA), Alex Mirutziu (RO), emerging artists meet mid-career artists in a range of activities that involve a discursive approach towards dance filmmaking.
Regionally, BIDFF functions as a meeting point between artistic visions and cultural organisations, promoting a new prototype of collaboration. We want to envision a realistic perspective regarding the means of production of a dance film and present the most active creative hot-spots around the world, doubled by resourceful collaborations between artistic sectors. Since 2017, under the umbrella of BIDFF, we have developed EXPAND. This platform crisscrosses the festival, by supporting cinematographic projects in development and the networking between dance and film industries.
In 2020 BIDFF has won the AFCN Award ex aequo for “Promoting Romanian Culture around the World”, and in 2016 choreographer Simona Deaconescu received The National Center for Dance Award for “the contribution brought to the Romanian dance scene by organising BIDFF”.
BIDFF is funded through annual applications with the Administration of the National Cultural Fund and the Romanian Cinema Centre. Two editions of BIDFF have been sponsored through ARCUB - The Center for Cultural Projects of Bucharest. Other financial supporters of the festival have been: The Romanian Cultural Institute, Expo Arte Cultural Center and different embassies and consulates in Bucharest (The Austrian Cultural Forum, The Israeli Embassy in Bucharest, Cervantes Institute, Balassi Institute, The Sweden Embassy in Bucharest, The Icelandic Consulate, British Council, The French Institute). BIDFF has received sponsorship from Conceptual Lab by Theo Nissim and in-kind services by Tiriac Auto, Crama Histria, Allira and DHL.
Our main hosts are Cinema Elvira Popescu, The National Center for Dance Bucharest, Gastropub Factory (Rooftop Cinema), The National Peasant Museum Cinema, and LINOTIP - Independent Choreographic Center. Depending on the needs of every edition we have successfully collaborated with CINETIC, The National Museum of Contemporary Art, Galateca Gallery, POINT Theatre, Apollo Theatre, Qreator, The National University of Music, Union Cinema.
BIDFF is produced by the Tangaj Collective Association.
E-mail:
contact@bidff.ro